Thanks to Amos Perrine for his very kind words in No Depression—our first review in this authoritative journal of American roots music:
I first saw Chaise Lounge by accident a couple years back, and what I thought might be a tragically hip retro band turned out to be completely the opposite. Much like Chris Siebert, who leads Lavay Smith’s band, and Thomas Lauderdale of Pink Martini, Charlie Barnett keeps the band’s eye firmly focused on the musical prize, but with a dry martini on the side.
Their latest, Gin Fizz Fandango, is at once playful and seductive jazz, sometimes with gorgeous vocals by Marilyn Older, and other times it’s Joe Jackson’s trombone that makes you feel you are in the middle of a Fellini movie, as he evokes ghosts of Nino Rota.
This, their seventh album since 1999, is full of wit, charm, and elegance that could only come from a jazz band harkening back to the golden age, but without a fatal sense of nostalgic irony. The disc is full of originals, save for one Cole Porter tune. Like a gin fizz, Chaise Lounge tickles not only your senses, but your fancy as well. The album is out now, so tango on over.
The first review for Gin Fizz Fandango just rolled in, and it’s a corker. Thanks to Carol Banks Weber of the AXS entertainment site for this rave:
In Chaise Lounge’s seventh album, there’s swoonworthy original music, a timely reference to downloadable lyrics and chords, and a recipe for Gin Fizz Fandango (provided by the band’s bassist, Pete Ostle). Gin Fizz Fandango also happens to be the title track of a new album, released on Sept. 10, 2015 (Modern Songbook Records).
This is no ordinary jazz album. This is what they call a “cheeky” character album full of flirty flights of fancy perpetrated by musicians who take on the air of guys and dolls in a ballroom brawl — all in good fun.
The D.C. sextet features Charlie Barnett on guitar and piano, vocalist Marilyn Older, bassist Pete Ostle, percussionist Tommy Barrick, trombonist Joe Jackson, and reed man Gary Gregg. Barnett, a film composer, wrote 11 of the 12 songs, save for Cole Porter’s “It’s All Right With Me.” Older plays piano on two tracks.
Chaise Lounge has been around since 1999, when the musicians jammed together at one of Barnett’s recording sessions. Ever since, they’ve jammed all over the country on the strength of a tight rhythm section, limber horn players, and the sweet, Betty Boop vocal style of Older.
The music is as retro-hip — think the Depression and the Prohibition, circa 1920-‘30s — as it gets, gently swinging, a little tongue-in-cheek in the hopscotch lyrics, tickling traces of a forgotten soundtrack from another era, even daring in places (a horn vocalese from the actual “Hopscotch”).
The overall vibe does feel like sipping on a fizzy cocktail, the bubbles tickling your nose, whether trombonist Jackson slides in on a slinky tango throughout the “Gin Fizz Fandango” instrumental or Older swinging on a pop song like “You,” where the lyrics go down as easy as the spring in the step of the horn players.
“You’s” particularly fetching for its cute, clever use of tempo to swing fast and slow, to a tantalizing crawl on the bridge home (“here’s where we end once we circle again, let’s drive real slow breathing in as we go”). Older also does quite a nice rap over the swizzle stick of horns at the 3/4th mark without faltering or needing a breather: “You accidentally brush my leg, and I go falling hard again, all you have to do is breathe your perfect love inside of me.”
Chaise Lounge isn’t a sit-and-listen band. The musicians play serious retro-dance grooves, the kind that would give the “Dancing With The Stars” cast a serious workout. Listen and bust out the moves on “Mambo Noir.” Be silly with the children tip-toeing around in a game of Hide-and-Seek on “Pigs In Blankets.” Slow-waltz in a timeless haze on “If I Never Get To Paris,” mostly on trombonist Joe Jackson and pianist Charlie Barnett’s melodic lines. Do the tap-dance shuffle with grandpa on “Celestial Navigation.” Older scat-hums (la-da-da-da-da-dum) through this gem of a closer.
Lest you assume it’s all fun and games over at Chaise Lounge’s Gin Fizz Fandango, the band turns down the lights for the grim emotional reaper, “I See You.” Older turns up the lonely, still sweet but sweetly aching for the fulfillment of real recognition “when the world looks the other way, I look in your eyes and say, ‘I see you.’” This one’s pure vocals, pure bliss, with the musicians mostly keeping time and exacerbating the loneliness and fear — pianist Barnett pressing urgency in only a handful of chords over and over, bassist Ostle illuminating the darkness, Gregg sampling a taste of that exquisite agony on his sax.
The true test of a remarkable band is its schedule. Chaise Lounge’s is jam-packed. The next performance is 8 p.m. March 4 at the Montpelier Arts Center in Laurel, Md., then 8 p.m. and 10 p.m. April 6 at Blues Alley in D.C.
Photo by Erika Horn, CoZmiKphoTographY
Our hometown Christmas show is always a highlight of our year. It has become a tradition, but we still like to switch things up a bit. So this year, our “opening act” was the North Chevy Chase Elementary School Holiday Glee Club. A more enthusiastic group of fourth graders you will not find! Maybe you recognize their pink-suited conductor. Charlie served as “composer in residence” at the school for a week earlier this year, so when we needed some kid singers to add to the mix, he knew just where to go.
We were thrilled to have a packed house at Bethesda Blues & Jazz. There is no better way to start the holidays than that. Along with songs from our Christmas album, we played some old favorites and premiered a brand new song called “Gin Fizz Fandango.” It is a strange and groovy tune in a slow three-four that features a bravura solo by Joe Jackson on trombone and a star turn by Marilyn Older on piano. We are looking forward to playing this song a lot in 2015!
There is a club in the tiny, tiny town of Aberdeen, North Carolina, called The Rooster’s Wife. Playing there recently was one of the most satisfying concert experiences of our collective lives. The funky venue is beautiful, the audience is a sophisticated, musically educated crowd, and the performers are treated like royalty. Janet Kenworthy has created a nearly magical experience that that appears, like Brigadoon, each Sunday night at 6:46 PM. If you are within 250 miles…GO.