I enjoyed this CD so much that I played it twice, and no reviewer can give higher praise than that. And the inserts were a reviewer’s dream – all the song words were supplied, with a short and accurate description of each track, photos of all the musicians, not just the vocalist, and musicians listed as above in an egalitarian way, the drummer not left till last, nor the vocalist mentioned first. The impression given is one of genuine teamwork.
And the CD is full of jaunty fun, only one sad song, a CD suitable for parties and also for quiet listening. Indeed many tracks are very danceable too, so I’d recommend this disc to our local Newcastle Swing Dancers. It includes “Let’s Face The Music And Dance,” played with a distinct two-beat. There are 3 other standards; “Cool” (from West Side Story), “Via Con Me,” and “Old Man River.” Nine tracks are originals with lively, witty lyrics, and there is a short joke track which you can use to check out your stereo! Many of the original songs have a jazzy 1930s feel. To quote from one of the track descriptions for “It’s Always You,” “…Tommy Barrick’s groove with Pete Ostle is insistent and funky, the horn lines are as hip as can be, and the melody is an ear-worm….” For an example of amusing lyrics I quote from “I Just Want All My Stuff” (a song about divorce): “He hopes that we’ll stay friends/and that we’ll stay in touch/Me? I’m kind of hoping/He gets run down by a bus.” The title track, “Dot Dot Dot,” is about a love affair seen as sailing through choppy waters, so Morse Code is part of the song. Other song themes include a fantasy about little blue men, loving a man because of his trendy car and complaining about a date who keeps you waiting. The instrumental of “Old Man River” is fast with a stunning drum solo.
Chaise Lounge have been together for 12 years, are well known in the USA, and have 6 albums to their credit. The CD was issued in September on Modern Songbook Records.
FAME is actually the acronym for the “Folk and Acoustic Music Exchange” on acousticmusic.com. We’re delighted with critic Mark S. Tucker’s FAME review of Dot Dot Dot…especially as it regards Marilyn’s dramatic effect on the fictional Father Flaherty:
Don’t let the Dot Dot Dot CD title or the non-descript moderne cover artwork fool you. Chaise Lounge doesn’t engage in Kraftwerky bleep blopp music nor synth-drenched electronica, nor even minimalist glitch, but instead a return to the groovy elder cool of the 50s and before. Not the zany looniness of Spike Jones but the cut-up hipsterism of Louis Prima and ilk, much more mannered and urbane than Jones but just as enjoyable in its own way. There’s plenty of swing, era jazz, jivin’ jump, and that sort of thing, all of it led by a cat named, now get this, Charlie Barnett. Yep, just one little ‘t’ away from the great Charlie Barnet of bygone fame.
The song “Dot Dot Dot” isn’t about any dot.com, it’s not an ellipsis, nor even a sing-song redundancy but a reference to Morse code, an element of the S.O.S. distress signal, here applied to a metaphorical ship sinking in the sea of love, a way hip cut with Marilyn Older singing in her perennially slinky, sultry, sexy near-babydoll voice beside five highly talented and letter perfect instrumentalists (clarinet, trombone, drums, guitar, bass). Older’s sensuality would make a bishop sweat bullets, grow red in the face, and kick out a stained-glass window, but Barnett (guitar, piano, accordion, tenor banjo) and the boys ice the situation back down, putting the hold-on to the go-on as Father Flaherty hip-sways a little jig back to the sacristy to doff the vestments and deck out in reet pleat and pompadour.
Apparently the concert audience favorite is “The Coolest Car,” an infectious tune, but I’m going for “I Just Want All of my Stuff,” just as humorous but of the sort that drives home what happens when two lovers meet, love, lose, split, part, and get down to brass tacks:
I just want all my stuff
My TV and my Xbox and the records I love
You can keep your dreams
And your precious self esteem
I just want all of my stuff
…and, man o man, I think Barnett was listening in on a couple of my own romantic flame-outs. Everything’s not all grins ‘n’ giggles, though, as “Split in Two (Wreckage)” is a dead-set serious ballad of a marriage gone terribly wrong, sung in a light wistful tone but weighted down with confusion and memories, the good against the bad, wondering what the heck happened. This is the penultimate number, a superb and thoughtful but heart-panged track, just before a speedy instrumental version of “Old Man River” closes everything out.
“What type of music do you play?” Having been with Chaise Lounge since nineteen ninety-something, I hear that question a lot. So far, all the great and near-great minds in and around the band have yet to come up with a clear answer.
OK! Cut to a car dealership in September 2012. My rep, Hugh, who also happens to be a roots-rock bass player and long-time Lounge fan, made a comment about our latest CD, Dot Dot Dot: “You don’t take your fans too far in any one direction.” While not finding that elusive genre I’ve sought for so long, his off-hand remark make me feel a little closer to a possible answer. But my quest continues. If you have an answer to the question “What kind of music does Chaise Lounge play,” let us know in the comments below!
One of the delights of working with Chaise Lounge is its wide range of musical styles. Classical, rock, and jazz songs are grouped together in a way that flows evenly. This time-warped ensemble bounces between decades allowing me to say hello to long lost friends. Remember the 60’s Swingle Singers? If so, look forward to “In Walked Mo.” Heard of Sil Austin? “My Blue Heaven” or “The Best Part of My Losing Streak” will drop you into the middle of a late-night rockin’ nightclub of the 50’s. There’s some 70’s psychedelic flavor lurking in the book under the guise of “You,” and ageless show tunes like “Let’s Face the Music and Dance.” One of my favorite styles is the 50’s shuffle rhythm that Tommy encapsulates so beautifully. Think Rat Pack Vegas, a mobbed-up strip hotel, show lounges, smokey wee hours, Keely Smith frowning at Louis Prima, and Sammy Butera and the Witnesses doing their thing. Now that’s what I’m talkin’ about!
There’s a rumor that Charlie has a time machine hidden in his basement. Do you, Charlie? If so, keep it in working order so the rest of us can continue to enjoy the trips hither and yon.