Joe's Crock Pot Roast

By popular request, trombone player Joe Jackson presents his scrumptious pot-roast recipe:

Ingredients
1 Chuck Roast
1 Cup Celery, cut to one-inch pieces
1 Cup Carrots, cut to one-inch pieces
3-4 Medium Sweet Onions
Pepper
1 Package Lipton Recipe Secrets Onion Soup Mix
1/2 Cup Water

Nothing puts everything right in world quite like a slow cooked pot roast. We do a little work in the morning, set the Crock Pot for a long day of cooking, and as our families come home they are rewarded with a savory smell and the promise of a spectacular dinner that is nutritious as it is satisfying. High in protein, long in taste, but no processed sugars or grains. The vegetarians in your house won’t dig it, but you can stir fry some seitan tomorrow to win them back.

Quality of ingredients goes a long way here; I prefer getting pasture-raised beef and organic vegetables. The stuff at Whole Foods is really good. Their chuck roast is generally grass-fed, which means the cows walked around a pasture instead of being raised in a stall with grain, which makes the meat leaner. For the carrots, I prefer a bunch with the greens still attached. I don’t know if that makes it taste better, but somehow it makes me feel better to see real carrots in their whole form. I think it has to do with the pictures in the Peter Rabbit book my mom read me when I was little. For the onions, again organic, but nothing beats the taste of Vidalia onions, even if they aren’t organic.

Step one is to cut up the vegetables. I simply wash the carrots and do not peel them, giving them a rustic look. Cut the ends off the onions and then slice them in half from top to bottom, then peel off the outer layer before cutting into quarters.
Flash-browning the meat helps seal in some of the juices (though the whole pot roast is such a juice-fest in the end). Heat a frying pan to medium hot with oil, preferably coconut or olive oil. Pepper the meat, and then brown it all over in the pan, about a minute per side.

Add 1/2 cup of water to your Crock Pot set on high, and pour in the Lipton Recipe Secrets Onion Soup Mix and stir. Set the meat in the pot, and put the vegetables in on top and around the sides of the meat. Put the onions in so the cut sides are in contact with the meat. Cover and cook for at least 8 hours.

Once I tried adding fresh garlic to the milieu. I didn’t like it; I found the garlic tended to add a flavor dimension that overpowered the natural sweet and savory dynamic of the meat and veggies dancing together. Kind of like if Louis Prima had hired John Coltrane. Fresh garlic is the bomb, but it’s not always right in every environment.

When the roast is done, you can use a knife to cut up the meat while it’s still in the pot. Or it may just fall apart with a fork, like BUTTAH! Don’t forget to cut the string out, if the roast came with a string.

Once they’ve tried your pot roast, people will look at you with a new respect and appreciation. Everything in your life will begin coming together. Your computer will stop crashing, that bonus will come through, and your rash will clear up. Your trombone slide will be fast and smooth, and your mouthpiece…oh wait, none of you people care about that stuff.

The only problem with this pot roast is that it sets expectations high. There’s really no way to follow it, unfortunately. Well, no way except to take the gang to a Chaise Lounge show afterwards…

Tommy's drum-chill factor

Last night at Cue Recording, Tommy Barrick, Pete Ostle, and I put down the rhythm tracks for two more Chaise Lounge songs.

One is an instrumental currently called “Celestial Navigation.” Seeing as that title got catcalls from engineer Ken Schubert, I seriously doubt the name is going to stick, but the piece is a keeper. This is an original—one of our patented vocalese songs where Marilyn sings in unison with trombone. It has something Pat Metheny-like about it (not that ANYONE would mistake my guitar playing for his!).

The other track we put down is an an instrumental arrangement of “Old Man River.” It is a drum feature. The tempo/click we recorded at was mm 152—that is, 152 beats per minute.  But the entire chart is written to be played with a double-time swing feel. So it’s sort of like the wind-chill factor today: it’s 20 degrees out but *feels* like 8. The click track we used was 152 but felt like 304, which is pretty much as fast as I can possibly play. This speed is especially incongruous because “Old Man River” is traditionally played as a ballad. In the top left corner of the chart where it should give some indication of the tempo, e.g., “Largo,” we scribbled “Tempo de Tear-Ass.” Tommy killed it. He took a 32-bar solo in the middle of the song that is just beautiful. It is melodic, funny, interesting; all the things you might think a drum solo could not be. That ’60s Gretsch kit of his got a workout last night!

-Charlie

What the new year brings…

Ask any musician about January and you will get a grim smile, reflecting a woefully empty gig calendar. It has ever been thus. What to do about this? Start your next record! Well, that is what Chaise Lounge is doing, anyway. We began the new album in earnest last night with rhythm section recording sessions at Cue Recording in Falls Church, Virginia. Ken Schubert is engineering.

As we were putting together the list of new songs to record, I was amazed at how many we have. Also I was reminded of how many times people have asked for recordings of these songs and I have blithely tossed off, “Oh, that will be on the next CD.” “The Coolest Car” is one of those. Another is “I Just Want All Of My Stuff.” Maybe the most-requested unrecorded song is Gary’s solo piece, “Losing Streak.” All of them are coming soon. I’m not completely sure yet, but I think the new album will be called “Dot, Dot, Dot.”  Yes, that song too is coming.

The first session was a delight. It was great to get back in the studio. And it felt good to dig into the fine details of some of those tunes. “Via Con Me” is a deceptively tricky song to play well. If the tempo is not exactly right it doesn’t work. We have also unearthed some of our back catalog for this. Who remembers “Celestial Navigation”? I think we played that twice…maybe at IOTA? Well, here it comes. And there is a song about a wrecked Airstream trailer (title still in flux)—who remembers this? It may be the saddest song in the world; too sad, we decided, to play much live.

Last year we released two records (Insomnia, A Very Chaise Lounge Christmas). This year, it will be only one. But I have a feeling it will be a doozy.

—Charlie

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