We are delighted to announce the release of our eighth album: The Lock & the Key. There are eleven cuts on it: nine originals and two covers. It took just about a year to make, and we are quite proud of it. One of Charlie’s favorite tracks is “The Sweet Ride Home,” for which singer Marilyn Older wrote a lyric about the moments just after a wonderful date. It’s driven by a groove from drummer Tommy Barrick, and the melody is ghosted a fourth down by Joe Jackson’s trombone. Tutti ensemble section in the middle is the full-on Chaise Lounge statement. Another fave: “The Earl.” Sax player Gary Gregg routinely stuns our live audiences with his ultra-melodic solos, and we captured a hot one on this track, named for one of Gary’s saxophone heroes, Earl Bostic. Bass (and tambourine) player Pete Ostle shines on “Mozambique.” We may be especially proud of the last song on the record, “I Grew a Rose,” because we tried to get a very retro Harry Belafonte sound, and we think we hit the nail on the head. In concert, we sometimes use male backing vocals as comic relief, but on this cut we are nothing but sincere. The artwork for the album is by Adriana Cordero.
Chaise Lounge acted as an emissary between two musical countries last weekend–and the odd and somewhat schizophrenic nature of what we do was brought into sharp focus. On Saturday night, we played at Chris’ Jazz Café in Philadelphia, the jazziest of East Coast Jazz clubs. On Sunday, we played at Godfrey Daniels, a quintessential folk club in Pennsylvania’s Lehigh Valley. Jazz and folk: Could Chaise Lounge really find common ground between those two ideologies? At Chris’ we brought a folksinger’s love of storytelling to the coolest cats in Philly. And at Godfrey Daniels, we brought our sharp suits and sharp chops and swung our as*** off for the salt-of-the-earth folksters of Bethlehem. And hooray, it felt like we brought a little bit of peace, love, and understanding to both sides, at a time when our country can use as much peace, love, and understanding as we can get.
You never know where your next idea will come from. For us, most recently, it came from a set of walking directions and an offhand crack from Pete. Last month, when we played at The Rooster’s Wife in North Carolina, we were honored to be houseguests of the club’s owner, Janet Kenworthy. After sound check, Janet gave us directions to her house: “Walk out this door, turn right on High Street, then walk up to Blue Street and it’s right there.” “OK,” I repeated, “You’re at the corner of High and Blue.” After the perfect pause, Pete said meaningfully, “Man, I’ve been there.”
How could this not be the next song in what Marilyn refers to as our “scorned-woman-slumped-over-
The Rooster’s Wife is a Brigadoon-like venue that springs to life once a week in a building that used to be a plumbing supply warehouse. Located in the tiny town of Aberdeen, North Carolina, the concert hall is the singular vision of one person, Janet Kenworthy, who loves live music in a way that bakers love bread and flowers love rain. It is partly the depth of her passion that attracts great bands from all over North America, and it’s partly the crowd that she has cultivated. At the odd time of 6:46 PM (every show starts then), an audience of enthusiastic and knowledgable music lovers assembles in this unlikely spot. The confluence of good music and a good audience is the magic formula that every band dreams of. It’s why we were honored to make the pilgrimage to Aberdeen again this year for a Mother’s Day show. Thanks Janet, for making this happen. And thanks to North Carolina-based photographer John Gessner for his wonderful shots of the evening.